12/28/2022 0 Comments Solange cranes in the sky![]() Managing to do both at the same time is something only the very best musicians manage to do. ![]() It’s another thing to write asymmetrical and idiosyncratic music. For the last five weeks, I’ve dedicated my Sunday mornings to Solange. ![]() It’s one thing to write a hit with an infectious and memorable hook. Sofiya Ballin describes how Solanges hauntingly beautiful 'Cranes in the Sky' forces us to look inward. Here’s my take on the structure, as color-coded in Ableton Live. Chorus two is nine bars, and it’s cut off by the final refrain, which is fourteen bars. I start to disagree with Etoroma’s analysis when we get to verse three–it’s fifteen bars long, not sixteen. That’s just about unheard of in R&B, or any other style of popular or vernacular music for that matter. Usually a twelve bar song section is three phrases of four bars each, but Solange’s chorus is two phrases of six bars each. Solange’s six bar refrain is quite peculiar, especially with her jazzy rhythmic phrasing. Typically, songs will have phrases and sections that are four, eight, twelve or sixteen bars long. This analysis was very helpful to me, because I was having trouble figuring out where any of the sections might begin or end. Efa Etoroma analyzes it on the Soundfly blog like so: The form of “Cranes In The Sky” is similarly hard to pin down. It’s no wonder that Solange cites her as an influence. This is the strategy that Björk uses in her beautiful “Anchor Song,” which sounds strange and angular, but is written entirely in B major. Usually you get a modal feel by using, you know, the modes, but you can get the same effect from the major scale if you arrange the notes so as to undermine their usual functions. In modal music, all notes in the scale have equal weight, and together form an ambient mood rather than a linear story of tension and resolution. ![]() In conventional tonal music, certain notes in the scale feel restful and conclusive, while others feel suspended or tense. It sounds like Solange and Saadiq are really treating the F-sharp major scale as a mode, not as a diatonic scale spelling out functional harmony. Play along on the aQWERTYon and see for yourself. Is it really F-sharp, or actually C-sharp? Or B? It’s totally ambiguous. Every note in the song comes from the F-sharp major scale, but the bass and strings roam around unpredictably, making it impossible to tell where the tonic is. The harmony is both simple and mysterious. But she got attached to the vibe of the toy harp, and quite rightly decided to keep it. She had her synth player put down a temporary track with a toy instrument from Toys R Us, intending to eventually replace it with the real thing. She talks about drawing inspiration from Alice Coltrane, which might be where she got the idea to add harp. Solange wanted some chord changes, but Saadiq couldn’t find the stems, so she was stuck with the track as a unit. The track started as an instrumental by Raphael Saadiq, just drums, strings and bass. Solange helpfully explains her songwriting process on the invaluable Song Exploder podcast. It manages the rare feat of being both extremely catchy and extremely weird. Your playlist is currently empty How to add songs to your playlist: Search for a song Click on Add to Playlist button below a song you want The mp3s will be added and stored. “Cranes In The Sky” is her biggest hit so far. Cranes In The Sky Mp3 Download Free MMG ringleader Rick Ross kicks the week off with his take on Solanges popular new single Cranes In The Sky. (There’s also this amusing line: “Don’t touch my hair, I’m bald-headed.”) May the power of black women compel you, too, to get on their level.Solange Knowles is Beyoncé’s artsier younger sister. This is an unofficial remix simply inspired by the love of art.” Perhaps also knowing Solo is the music consultant for Insecure and thinking, Yes, this will definitely win over the whole damn table, Common even shouts out Insecure star Issa Rae. I started mumbling some words to it and then decided I want to write a verse. “Every time I listened to it, I keep wanting to hear it again and again. Cranes in the Sky is asong bySolangewith a tempo of97 BPM.It can also be used double-time at 194 BPM.The track runs4 minutes and 11 secondslong with. ‘Cranes in the Sky’ is that song for me,” he tells the Fader. “Every once and a few years, there are certain songs that come out and have the sound of forever. Having heard and subsequently been enraptured by the album’s standout track, “Cranes in the Sky,” Common has now remixed the song because he just couldn’t resist. As we all scramble for a seat at Solange’s table, there’s already one man making a good case to sit at her side.
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